‘’Under the car headlight’s halo, a brief history of tragedy and empowerment.’’  
The language between bodywork and femininity seems to be an oxymoron, yet,
the experimental process of this collection promotes another interpretative langage in fashion.
The word ‘riding’ itself appears to have an antinomic lexicon because domination and subjugation clash. hence, the construction of the pieces embodies forms of vehicles, but also feminine curves.