Aluído arises from the observation of a vase with flowers inside a house. Garden flowers, taken from their natural environment in order to raise the aesthetic value of another environment by directing the focus to them.
The amount of time flowers are fresh turns out to be less than the amount of time they are rotting, eventually being discarded and replaced when they no longer have the desired aesthetic value.
This generates a reflection on the instinctive need to counter something that represents finitude that overlaps the acceptance of organic development.