Taking its name from William Turner’s 1829 painting of the last of the Four Horsemen of the Apocalypse, ‘Death on a Pale White Horse’ is a visceral expulsion of colour, cloth, shape and craftsmanship.

Using prints evoking romantic conceptions of the sublime, Fishwife have taken their love of historical shapes and traditional methods, and re-imagined courtly dressing with a modern sensibility and a contemporary silhouette. Self described as “....ramped up Miss Haversham lost at sea for a few centuries, and flung into a futuristic dionysian hyper reality....”