The collection reflects the voyeur in us all, the obsession of seeing the reveal of a structure. Representing the process of undress, opposing the dressing ritual of Marie Antoinette and the court, you see garments peeling from the body to reveal the flesh beneath, an aesthetic taken from the photography of Aaron Siskind. Glue manipulated fabrics brings a fetishistic touch whilst concrete treatment conveys a chocking urban approach that compliments a dystopian society, reminiscent of George Orwell’s 1984.